Altered Item case files tell stories about a picnic basket that attracts woodland creatures or a surfboard that gives anyone touching it an excess of confidence. Her personality never quite coalesces, though the manifold mysteries of the FBC told through confidential documents, audio logs, and FMVs do well to buoy the lack of character.Ī lightswitch in a Butte, Montana bungalow teleports the user to an oceanside hotel somewhere in time and space, a sort of dimensional transit station. We're both baffled by the logic and hidden truths of the FBC and Oldest House, but those moments aren't used to give Jesse a moment to reveal who she is. What the hell is happening, did that stapler talk to me, ad infinitum. She's harboring her own mystery, one closely tied to a family life she even keeps secret from the player for some time, but her sheepish concealments keep her at a distance, while her commentary too often mirrors my own. Jesse's story is similarly cryptic and weird, but compromised by a vapid personality and weak connections to the supporting cast. Finally, mainstream sci-fi that isn't spaceships and militarism and hot green men (love you, Thane). Folklore and language are the literal authors of truth. Control is littered with mundane objects made fascinating and sinister, treating Jungian ideas of the collective subconscious and a touch of Baudrillard's hyperreality as the foundation for its paranormal logic. I accidentally let a rubber duck loose that harasses me, barking like a demonic dog from the corner of every room I enter. A fridge levels buildings unless someone looks at it 24/7. The FBC visits these places and collects these objects for study in The Oldest House, the panopticon and petri dish they call home.Ī floppy disk hurls debris and office supplies at my head. Inanimate objects are imbued with godlike powers, the product of Altered World Events or strange phenomena that make up modern American folklore. It/They are/is confusing/unknowable and that's OK/acceptable/true. I still don't know what The Hiss are, why The Service Weapon chose Jesse, why everyone's cool with taking orders from a transdimensional 'Board' that speaks in mumbles emanating from an inverted triangle and whose speech translates into multiple, parallel sentences at once. Control's narrative is outright inaccessible at first, but that's exactly what Remedy is going for. I spent most of the first hours reeling with confusion, writing down acronyms and pausing to let moments sink in before moving on. ![]() An Object of Power, a gun called The Service Weapon, chooses her, granting her the ability to wield the weapon and traverse The Oldest House without worry that The Hiss, another unexplainable entity that's invaded the FBC and has been turning its employees into glowing red monsters, will infect her mind. Jesse Faden shows up to the The Oldest House with mysterious motives, and through bizarre circumstances that also make no sense (at first), she's suddenly thrust into the role of Director of the FBC. ![]() Our complete Control performance analysis covers tons of graphics card options, with ray tracing and DLSS benchmarks as well. I ran Control on the highest settings at 2560x1440 and maintained 60-90 fps depending on the complexity of the scene, but my PC is fairly juiced, so it's not the best reference point.
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